Q: How long have you been playing noise and what are your major influences?

A: I received a Portasound 240 Yamaha for my 13th Christmas and from the very beginning became very fascinated with the sounds. To that primitive synths credit it had a decent synthesizer engine and quickly I grasped the meaning of attack, decay, modulation, etc. My earliest recordings were done in the spirit of a mad scientist producing absolutely broken sounds.As time went on I pushed the sounds further and the recordings I did around 16 years of age remind me of "Blood and Flame" era NON. As a few years passed I added guitar pedals to my arsenal and had a very raw harsh noise sound. Around this time the subject matter and style of the project was very much like the other US noise groups. This serial killer noise was performed under the project Pure. I had been listening to Throbbing Gristle, SPK, Whitehouse, Brighter Death Now, Non, Jugend Sutcliffe, & the Grey Wolves, since I was 16 but around the time I turned 22 I discovered the European noise scene. I became familiar with projects such as Dagda Mor, Anenzephalia, Genocide Organ, etc. through comps and the few releases I could find without internet access. It had a much more complex structure and far deeper message. This is when I became more influenced by Power Electronics with content. Ordnung was my attempt at that. I think as one becomes more familiar with their equipment this evolution naturally occurs.
It was while working on Ordnung that Genocide Lolita came about and quickly took over as my predominant effort. During late 2002 I purchased a digital 4-track and began working on the Fuck Equality material. I came up with Holocaust Erotica while working on a cover of TG's "His arm was her leg". The lyrics just came to me on the spot and so I dropped the idea of doing the cover right there. Next I wrote Politics of Violence and worked out the music for several weeks. I then put down all of the material for a few months. One night late April I picked the material back up and came up with 12 songs over the course of 2 nights. I picked out 10 tracks and Fuck Equality was finished that easy. Everything just came together very naturally. This was my first time dealing with multiple tracks, aside from the brief period a few months earlier. I pretty much learned how to use the recorder that weekend.Until this point I had recorded all previous materials onto tape decks, one track, one take, real time. I am quite proud of what I managed with such a limitation for so long but the ability to layer tracks is indispensible especially for the new sound I was going for. It made me realize that most of the Japanoise and US noise I had totally grown sick of was missing precisely this, more than one sound going at once, no layers. Aside from Gruntsplatter and Control I am not aware of anyone else in the US doing this layered more Euro sounding PE. I hope I inspire other US acts to go more for that complexity.
I have always operated with a strong DIY ethic and I would encourage everyone to start a project. I feel that in this genre there should be no fans. Everyone should be up to something.. Inventiveness overcomes all obstacles, this music does not require a $1000 studio. I will be upgrading to software synths in the near future as my present ideas are getting a bit difficult to manifest on my present gear but nonetheless I would encourage others to not be intimidated as Fuck Equality was recorded under extremely low-fi circumstances and great results can still be had with such limitations.
To address my activities in the years preceding the Genocide Lolita project my first project was Tyranny of Noise with S.C. Gehl of Northern Sector quickly followed by Pure with Michael. Those 2 projects gained a bit of infamy around the Kalamazoo, Michigan area with over the top performances at extreme volume with visuals of 3rd Reich footage coupled with deviant sexuality. Those shows sparked riots and violence. We have some fun archival footage of whole crowds rushing the stage trying to end our shows. We were performing with Dave ( the guy I work with on Genetic Terrorists) as a supporting act. I learned from this era to stop wasting my time and expression on dead local scenes full of unintelligent alcoholics and just start contacting those who will enjoy the music, regardless of how remote they are. This strategy produced results quickly. Whatever you are doing there are people out there that will already get into it so stop wasting your time trying to bring the future to backwaters.

Q: About how many releases have you put forth?

A: I felt for a long time that no one would be willing to release my projects due to their controversal nature. Granted there are others who have done it before me but I feel that I push the content a little further than has previously been ventured and I make no attempt to distance myself from the views or apologize for them. That is most of the reason why I do the music at all. I liked what a lot of the projects were trying to put across but they were never extreme enough for my tastes. I say extreme to be understood but I personally feel honest is a better word to use here. I don't just deal with politically incorrect views because they are politically incorrect. I deal with them because largely I am a politically incorrect person and that is how I really feel about things. I am a satist, a racist, and a sexist, and I have facts and a lifetime of experience that doesn't give a fuck how unpopular that makes me. I didn't make reality I just perceive it. I don't apologize for it either. In fact I like it as it is.
I consistently have recorded new material over the last 10 years for all of my projects but I never bothered to release them. I just mail them out to friends. I really only make the music for myself and I wouldn't care if no one wanted to hear it. In fact mark my words, the day will come when I go too far and no one dare release my material. I will still be recording at home and mailing the results to close friends as always. So to answer your question I have released about 60 albums on cassette and CD-R of which 1 has been picked up by an independent label for "official" release. I was really amazed that the Grey Wolves wanted to release it. I thought for sure they would respond with something to the effect of "cool shit man but we don't dare touch this if we want to stay in business". Hats off to them they put it out there. That Open Wound release is already sold out but I am not a fan of hiding behind limited releases and so that particular release will be available soon through another label so others may judge it's worth for themselves. When nobody knew who I was it really didn't matter to me if they ever did but now that the word is out I want people to be able to find it and judge it for themselves. I promise that all future releases will always be available in one format or another as I am very irritated how certain influential acts in the PE scene contrive limited releases, it just peaks people's expectations so that the rare release always disappoints when you do finally track it down. I have no interest in giving ebay parisites a living.The next scheduled release is a single for "Fuck Equality" through Slaughter In Art. The follow up album should also be through that French label. The head of that label, Nicholas, got ahold of me through Soulseek and wanted to release Fuck Equality. I was obviously obligated to the Grey Wolves on that but decided to work with this guy next as he is young, has some fight in him, and is still willing to take chances. I like that in a label. Regardless of their views.

Q: What is the idea behind Genocide Lolita and what imagery are you trying to convey?

A: I don't neccesarily want to ruin the fun yet as to what Genocide Lolita really means. I will say this, I turned the moniker over in my head for a good deal of time and when I finally committed to using it I already understood it to mean many things. I stand behind everything one can intuit from it. It references everything from William Pierce's concept of total war to Desmond Morris's view of humanity. It says something of our modern era's extreme condition and brings Jack the Ripper to a logical conclusion. It is also a very personal statement. I will say that as a general rule I avoid WWII imagery when dealing with racial issues as those times are not an issue. The modern world is what is at hand and there is a war going on now that we should be paying attention to.

Q: What are some of your politics or religious beliefs?

A: I am not out to save the world. It is overpopulated and most of them deserve to die. I am not interested in telling people what to think, I am interested in those who already have a grasp of reality. I am a white supremacist and I believe it is time for us to walk away from their rotten system and stop subsidizing subhumaity. I am flexible in regards to politics and most impressed with National Anarchism and the efforts of the French Nouvelle Droite and their coverage of Guenon and Evola. I am likewise impressed with the writings of Oswald Spengler and the Conservative revolution of Germany. I do not consider myself right nor left wing and regards to what most benefits this country I say let it fucking die, it is rotten with ZOG to the core and nothing good can come from it. I consider Globalism and Zionism to be enemy number one of every living thing on this planet and I support the third positionists in developing a united front against this menace. It is in the best interest of every race to resist Jewish plutocracy and codify their own indigenous homelands. Here's an idea, start your own country. Join us in ignoring the modern world. That is what Vinland is doing.
In regards to spirituality I am not a superstitious person by nature but I utilize the Runes, Satanism, and the Nightside of Eden . Some of us know that the Kabbalah is not Jewish after all, with a little study you find that nothing really is. They just borrow from those around them.

Q: Have you played live and if so with who?

A: I have performed live but seldom. In all previous instances I was closely affiliated with the other acts that performed and I wish to continue operating that way. I have no interest in playing live at every available instance only to arouse the interest of the clueless. I consider my live performances to be very special gatherings of the wolves partly political rally partly ritual and so the unattuned/ dead wood are not welcome. Profit is never a consideration with me. I offer what money cannot buy. The quality of the audience is what interests me, not the quantity.

Q: What types of music are your favorites?Bands and genres?

A: No, not country. No, not Oi!. I listen to Power Electronics, Neo-Volk, Dark Ambient, and to a lesser extent classical, 80's etc. I listen to Power Electronics quite a bit but then if anyone was really coming through with the goods I wouldn't have to do it myself would I? Well it changes quite a bit but I currently like Anenzephalia, Survival Unit, Green Army Fraction, Sektion B, La Communidad, Operation Cleansweep, Proiect Hat, Legion Condor, and Ex.Order. Power Electronics without vocals does not interest me at all. I think that the Japanoise scene comes off as a 1 trick pony. If you have 1 Merzbow album you own them all. The same could be said of the Haters and New Blockader's and perhaps they are the only ones truly making noise music. I listen to Power Electronics and I expect a little more from my listening experience than something I can make in my studio in 2 minutes. As far as other genres go I listen to them far less these days but Dernier Volonte has brought a surprising amount of talent to Neo-Folk. I guess the question now is who will replace Der Blutharsch as he comes off as such a whiny bitch in interviews and every album sucks more than the last. I'm not telling him what to do with his art but it is a great time for newcomers to break in as nearly all the old stuff is pretty disappointing right now. More and more I am just listening to the music of my associates.

Q: What are your favorite art,books,movies,or TV shows?

A: Art: Franz Von Stuck, Thorak, Breker, Austin Osman Spare, Joel Peter Witkins, Nigel Wingrove, Trevor Brown, Albrecht Durer, Angus McBride, Arthur Rackham, Hieronymous Bosch, Peter Bruegel the Elder, & William Blake Movies:1984, The Holy Mountain, The Keep, Death Race 2000, A Clockwork Orange, Dune, Irreversible, The dark backwards, Dreamscape, The Experiment, Mishima, The night porter, Red Dawn, Road Warrior, Dawn of the dead, THX-1138, Taxi Driver, Videodrome, The Beast, The Begotten, Brazil, The Bunker, Cape Fear, Citizen X, Closetland, The Devil's Rain,The Inheritors, Joe, The Keep, Life Force, Malena, M, The Testament of Dr. Mabuse, Mephisto Waltz, Satan's Blood, Naked Lunch, Pass the Ammo, Richard III, Salo, The 7th Seal, Shocking Asia I,II, Tetsuo Man, The Third Man, The Trial, 2000 Maniacs, & Wickerman More or less movies about a depressing future or about people in unique situations who take charge of their life and forge their own destinies. TV: I have not watched television in 3 years. Books: Alfred Rosenberg, Antonin Artaud, Anton Lavey, Ayn Rand, Ben Klassen, Black Library Publishing, Carl Jung, Colin Wilson, Comte de Gobineau, Desmond Morris, Ernst Junger, Francis P. Yockey, Friedrich Nietzsche, Fyodor Dostoyevsky, George Lincoln Rockwell, George Orwell, Guido von List, Harry Crosby, Heraclitus, H.G. Wells, H.P. Lovecraft, Hunter S. Thompson, James Mason, Joseph P. Proudhon, Julius Evola, Kenneth Grant, Kurt Saxon, Madison Grant, Marquis de Sade, Mikhail Bakunin, Oswald Spengler, Pentti Linkola, Peter J. Carrol, Peter Kropotkin, Peter Sotos, The Protocols of the Learned Elders of Zion, Ragnar Redbeard, Savitri Devi, Edred Thorrson, & Vladimir Nabakov. Periodicals: Barnes Review, Crossing the Abyss, Descent, Nexus, now called Western Destiny, Nordwave, Not Like Most, The Onion, & Wargaming Illustrated

Q: Anything else you want to add?

A: Live without regret. Die without regret.